An artist in Ukraine captures the war in vintage black and white : The Picture Show : NPR

by Msnbctv news staff


A bridge in Irpin, Ukraine, in April.

Vladyslav Krasnoshchok


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Vladyslav Krasnoshchok

A bridge in Irpin, Ukraine, in April.

Vladyslav Krasnoshchok

“For the reason that starting of the struggle, my major focus has been to indicate this struggle by images,” says Vladyslav Krasnoshchok, a medical physician and artist within the Ukrainian metropolis of Kharkiv.

After Russia invaded Ukraine on Feb. 24, the nation’s second-largest metropolis, Kharkiv, got here underneath siege for practically three months. The middle of the northeastern metropolis is simply 30 miles from the Russian border. Russian troops rapidly superior on Kharkiv and pounded it for weeks with mortars, heavy artillery and cruise missiles. Tons of of hundreds of individuals fled, whereas others took shelter in cellars and town’s underground metro stations.

Krasnoshchok stayed put whilst others sought security farther west or left the nation. However he did not need to use underground bomb shelters.

“I by no means used basements or something like that,” he says, “as a result of it is damp down there. It is chilly and darkish. I do not want that.”

Krasnoshchok, who’s 41, describes himself as a “geopolitical surrealist” painter. As soon as the struggle began, he needed to doc the way in which the invasion dramatically modified the nation.

Anti-tank obstacles block a avenue in Kharkiv, Ukraine, in March.

Vladyslav Krasnoshchok


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Vladyslav Krasnoshchok

Anti-tank obstacles block a avenue in Kharkiv, Ukraine, in March.

Vladyslav Krasnoshchok

“I solely work with the bodily images,” he says about his alternative to make use of an Olympus Pen S 35 mm digicam from the Eighties loaded with black-and-white movie moderately than a contemporary digital digicam. He develops the movie himself and prints his pictures at his residence in one among Kharkiv’s residential neighborhoods. “I actually imagine my work differs lots from the digital pictures as a result of it is truly in entrance of you,” he says. “That is, like, precise artwork, and that is actually essential for historical past.”

A ruined constructing in Kharkiv, Ukraine, in March.

Vladyslav Krasnoshchok


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Vladyslav Krasnoshchok

A ruined constructing in Kharkiv, Ukraine, in March.

Vladyslav Krasnoshchok

Throughout the early a part of the struggle, Krasnoshchok began wandering the empty streets of Kharkiv together with his digicam. It was nonetheless winter. The snow contrasted sharply in opposition to the blackened, bombed-out residence buildings.

“In only a 1 1/2 kilometer [almost 1 mile] radius from my home, there’s a variety of destruction right here,” he says. “They have been shelling right here lots.”

He says he discovered the stark, destroyed landscapes visually putting. “They remind me of some sort of post-apocalyptic photos of cities like Chernobyl or Detroit,” he says.

A monument to the poet Taras Shevchenko sits in entrance of ruined buildings within the metropolis of Borodyanka, Ukraine, in March.

Vladyslav Krasnoshchok


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Vladyslav Krasnoshchok

A monument to the poet Taras Shevchenko sits in entrance of ruined buildings within the metropolis of Borodyanka, Ukraine, in March.

Vladyslav Krasnoshchok

“Why do black and white? As a result of, with this technique, I’m totally controlling the entire course of,” he says. “From the second I am taking an image, to utilizing the chemical substances, to truly printing it, to framing it — that is the purest approach of constructing images.”

A tank sits on the outskirts of Kharkiv, Ukraine, in April.

Vladyslav Krasnoshchok


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Vladyslav Krasnoshchok

A tank sits on the outskirts of Kharkiv, Ukraine, in April.

Vladyslav Krasnoshchok

Krasnoshchok actually needed to do one thing creatively completely different from the numerous photographers documenting the struggle. “All people shoots with digital now,” he says. “There are such a lot of of them, and I am fairly positive that if we have a look at all of their works, we’ll see an analogous sample to how they do it. With this bodily technique, I actually imagine that it may enable me to search out my very own standpoint.”

The outskirts of Kharkiv, Ukraine, in April.

Vladyslav Krasnoshchok


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Vladyslav Krasnoshchok

The outskirts of Kharkiv, Ukraine, in April.

Vladyslav Krasnoshchok

A canine sits in Vil’khivka, a village on the outskirts of Kharkiv, Ukraine, in April.

Vladyslav Krasnoshchok


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Vladyslav Krasnoshchok

A canine sits in Vil’khivka, a village on the outskirts of Kharkiv, Ukraine, in April.

Vladyslav Krasnoshchok

“In my artwork, I am making an attempt to check the composition and the construction of the picture and its affect on the observer,” Krasnoshchok says.

“I keep right here principally so I do not miss something fascinating.”

Refugees shelter in a subway station in Kharkiv, Ukraine, in April.

Vladyslav Krasnoshchok


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Vladyslav Krasnoshchok

Refugees shelter in a subway station in Kharkiv, Ukraine, in April.

Vladyslav Krasnoshchok

Refugees shelter in a subway station in Kharkiv, Ukraine, in April.

Vladyslav Krasnoshchok


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Vladyslav Krasnoshchok

Refugees shelter in a subway station in Kharkiv, Ukraine, in April.

Vladyslav Krasnoshchok

He is despatched a few of his negatives and a few of his work to a good friend’s residence in central Ukraine for safekeeping. He posts a lot of his images on Instagram.

However he grew up in Kharkiv. His home was handed all the way down to him by his father. It is not simply that Krasnoshchok would not need to depart, he needs to be right here in his residence metropolis at this second.

Journalists doc the struggle in Tsyrkuny, a village on the outskirts of Kharkiv, Ukraine, in Could.

Vladyslav Krasnoshchok


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Vladyslav Krasnoshchok

Journalists doc the struggle in Tsyrkuny, a village on the outskirts of Kharkiv, Ukraine, in Could.

Vladyslav Krasnoshchok

“A struggle, it is a distinctive factor,” Krasnoshchok says. “Typically in a lifetime you’ve got it as soon as. Typically you do not have it in any respect.”

As an artist, he needs to soak up it. He says he is not frightened about getting killed or a bomb dropping on his home as a result of that is out of his management.

“I hold 90% of all of my artwork, all my belongings right here as a result of I imagine that if a missile hits right here or one thing occurs right here, I am mentally ready to say goodbye to all of this,” he says, gesturing to his lounge, which is roofed in his work. “This can be a wood home — if one thing comes right here, it may be absolute destruction.”

Shells sit in a pile in Mala Rohan, a village on the outskirts of Kharkiv, Ukraine, in 2022.

Vladyslav Krasnoshchok


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Vladyslav Krasnoshchok

Shells sit in a pile in Mala Rohan, a village on the outskirts of Kharkiv, Ukraine, in 2022.

Vladyslav Krasnoshchok

Wreckage in Tsyrkuny, a village on the outskirts of Kharkiv, Ukraine, in Could.

Vladyslav Krasnoshchok


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Vladyslav Krasnoshchok

Wreckage in Tsyrkuny, a village on the outskirts of Kharkiv, Ukraine, in Could.

Vladyslav Krasnoshchok

Krasnoshchok says he makes his artwork first for himself after which he hopes that by his artwork, the viewer finally ends up seeing the world otherwise.

Vladyslav Krasnoshchok sits in entrance of one of many many murals he is painted in his backyard outdoors his residence in Kharkiv, Ukraine.

Jason Beaubien/NPR


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Vladyslav Krasnoshchok sits in entrance of one of many many murals he is painted in his backyard outdoors his residence in Kharkiv, Ukraine.

Jason Beaubien/NPR

Vanessa LeRoy did the photograph edit for this story.





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