The show will continue to run in two parts in London; Melbourne, Australia; and Hamburg, Germany, but will be a single part in New York, San Francisco and Toronto. It was not immediately clear how long that single part would be; the two parts have a total running time of about 5 hours and 15 minutes.
Structured essentially as a stage sequel to J.K. Rowling’s seven wildly popular “Harry Potter” novels, the show was the most expensive nonmusical play ever to land on Broadway, costing $35.5 million to mount, and another estimated $33 million to redo Broadway’s Lyric Theater. Before the pandemic, the play was routinely grossing around $1 million a week on Broadway — an enviable number for most plays, but not enough for this one, with its large company and the expensive technical elements that undergird its stage magic.
The play, a high-stakes magical adventure story with thematic through lines about growing up and raising children, was written by Jack Thorne and directed by John Tiffany, based on a story credited to Rowling, Thorne and Tiffany. Thorne and Tiffany said they had been working on a new version of the show during the pandemic, which, they said, “has given us a unique opportunity to look at the play with fresh eyes.”
The writers did not say what kind of changes they would make, but the production promised that the new version would still deliver “all the amazing magic, illusions, stagecraft and storytelling set around the same powerful narrative.”
“Harry Potter and the Cursed Child” began its stage life in London, opening in the summer of 2016, and winning nine Olivier awards — the most of any play — in 2017. It arrived on Broadway in 2018, picked up six Tony Awards, and initially sold very strongly, grossing about $2 million a week. But the sales softened over time, as average ticket prices fell, apparently because of a combination of the lengthy time commitment and the need to buy two tickets to see the whole story, which made it particularly expensive for families.